"Anyone who cannot come to terms with his life while he is alive needs on hand to ward off a little his despair over his fate—he has little success in this—but with the other hand he can note down what he sees among the ruins, for he sees different (and more) things than do the others; after all, dead as he is in his own lifetime, he is the real survivor. This assumes that he does not need both hands, or more hands than he has, in his struggle against despair."--Kafka



Sunday, March 22, 2009

愛你愛到死

一、「你咪理,我愛你,死未?」教我想起「死佬日記」,「死」好笑,但嫌其將男女角色定型,太二分化,就缺乏深刻討論。「你」惹笑但真實,不乏神來之筆:極速約會飛帶由第一次約會飛到第一次分手、相親作大作到曉飛、關景鴻法律保障性愛有趣味、已婚男人被老婆老點要在車上得到快感,最最深刻是邵美君的中年女人徵友錄影帶,由堅強演至柔弱轉折流暢動人,教人折服,女人的堅強往往由於極大創傷所練就的,女人以柔情的水來屈就,從來是最剛強的回應。

二、字花第十八期是「愛到死」,頹廢美、暴力美,都是死亡的表達,Freud 說death instinct 表現在暴力之上,life instinct 表現在性之上,愛情就包含life 和death instinct,生死差一線,問你死未?

三、華語歌壇上最能將愛情赤裸地與死亡拉上關係的一曲——ASOS 的「愛你愛到死」(別以為是海角七號甜美的那一首!):

0 comments: